TerraStone
L210
L215
L211
BuffStone
L212
L213
M325
M332
M350
M340
M390
M332G
MSculp
P300
M370
H435
H431
H440
H443
H550
H450
H555
P580
H570
P600
P700
H441G
H440G
Sculpture Clay
Raku Throwing
Wood Fire
3D
A2
Alberta Slip
B Clay
FireRed
Helmer Kaolin
Kaosand
M2
Midstone
Palestone
Plainsman Fireclay
Plasticfire
Ravenscrag Slip
Redstone
Textured Engobe
Tapper 2
Tapper 5
-It employs imported refined minerals and has a matrix of fine smooth clay rather than a coarse stoneware. This results in a body that is not susceptible to water splitting and is more plastic. While traditional Plainsman sculpture bodies have other advantages, they do split when exposed to water during the sculpting process.
-This body is very heavily grogged. The grog particles are all coarse, there are no fines. In many other sculpting bodies, much of the grog complement is actually a fine powder.
-The nature of the grog is much different. The particles are flat and lay down on contact with your hands. This produces a remarkably smooth feel (because the base body is smooth), so much so that it throws extremely well lacking the abrasive feel of other grogged bodies. It is possible to fabricate very overhung and exaggerated shapes.
On one hand the grog terminates cracks, reduces shrinkage and vents internal water but on the other it reduces the dry strength and provides surface imperfections where cracks can start. Couple this with the highly plastic and fine nature of the clay matrix and you can see why some caution is needed to make sure that pieces dry evenly.
![]() Cone 10ox |
![]() Cone 10r |
From a firing point of view this body is also a significant departure from typical scupture bodies: it fires much more vitreous. In addition it employs a low fire red clay to impart fired color (rather than refractory red) to achieve both its tan to brown burning color and maturity.
Without the grog this body base is highly plastic and vitrifies at cone 8. However with the significant grog complement it provides a stable matrix for warp-resistant firing above cone 8. However since it has a vitreous matrix there is need to support pieces well when firing to cone 10. Also be aware that at higher temperatures, smaller increases in firing temperature will produce more than the expected increase in warping. The benefit of the more vitreous nature is that it creates a stronger and more durable fired product that is much less susceptible to freeze-thaw failure.
Be careful not to fire Sculpture clay too quickly, it will fail from steam pressure sooner than our other bodies.
While the body matrix does vitrify at higher temperatures, the grog particles are refractory. Thus you will be able to measure porosity, but remember that this porosity is primarly in the grog.
Since this body employs a low burning red to achieve color it will fire brown rather than red in reduction.
This body does not burn with reduction speckle. However the lighter color of the grog particles product
Drying Shrinkage: 5.0-6.0% Dry Strength: n/a Drying Factor: C110 Water Content: 20.0-21.5% Mar 99 Dry Density: N/A
+48 (300 microns): 20.0-23.0% 48-65 (300-210 microns): 3.0-4.0 65-100 (210-149 microns): 0.05-0.15 100-150 (149-106 microns): 0.05-0.1 150-200 (106-75 microns): 1.0-2.0 200-325 (75-45 microns): 3.5-4.5
Cone 8: 6.0-6.5% Cone 10: 5.0-5.5 Cone10R: 5.0-5.5
Cone 8: 2.0-3.0% Cone 10: 2.0-3.0 Cone 10R: 2.0-3.0
CaO 0.3 K2O 1.3 MgO 0.5 Na2O 0.2 TiO2 1.0 Al2O3 24.2 P2O5 0.1 SiO2 62.4 Fe2O3 2.4 MnO 0.0 LOI 7.6%
![]() |
Plainsman Clays Ltd. 702 Wood Street, Medicine Hat, Alberta T1A 1E9 Phone: 403-527-8535 FAX: 403-527-7508 Email: plainsman@telus.net |
Top |