TerraStone
L210
L215
L211
BuffStone
L212
L213
M325
M332
M350
M340
M390
M332G
MSculp
P300
M370
H435
H431
H440
H443
H550
H450
H555
P580
H570
P600
P700
H441G
H440G
Sculpture Clay
Raku Throwing
Wood Fire
3D
A2
Alberta Slip
B Clay
FireRed
Helmer Kaolin
Kaosand
M2
Midstone
Palestone
Plainsman Fireclay
Plasticfire
Ravenscrag Slip
Redstone
Textured Engobe
Tapper 2
Tapper 5
H441G fires much whiter than typical sculpture clays. It does have some soluble salts discoloration on the surface and these enhance textures and contours on unglazed pieces. If you need a darker firing material, try H440G. Although H441G does throw quite well, we do not recommend it for functional ware because of its refractory nature.
H441G has a base which masks the feel of the grog somewhat so it is possible to throw it with much less discomfort than our other grogged materials.
Thicker ware or pieces of uneven cross section should be given adequate time to dry. Thus it is often necessary to cover larger pieces with cloth and plastic to slow drying down enough to make sure it occurs evenly throughout. Final drying should be done under heated conditions to assure that all water is expelled before firing. We recommend that you preheat your kiln overnight on low to give plenty of time for remaining water to be removed. This is especially true in electric kilns where there is no draft to take water vapor away.
Our grog clays are somewhat susceptible to water splitting because the grog exists in a matrix that contains sand and coarse clay particles. While this open structure has advantages, one of the disadvantages is that splits in the plastic matrix can start and propagate more easily.
![]() Cone 10r |
H441G's light fired color is due to its refractory nature, little glass is formed to amplify the color of iron in the body. The fired color is very stable across the cone 8 to 11 oxidation range. At cone 10R the color is quite similar to the oxidation equivalent except the surface will usually exhibit some grey patching as microscopic areas begin to vitrify, turn a light grey, and radiate outward. H441G does have some iron speckle that displays in a scattered pattern in reduction.
It is best to fire larger sculptural forms on a thick slab made from the same clay. This slab will absorb the stresses associated with shrinkage and help prevent cracking and warping.
Since H441G is quite porous and non-vitreous, it is stable in the kiln. It is the best choice if you need to create pieces that have overhung or exaggerated shapes that might otherwise warp during firing. If ware is to be put outdoors, you are advised to seal the pore structure against water absorption and associated damage due to freeze-thaw. Building supply stores have sealant products used for concrete and brick.
Most sculptors find that slips and oxides are effective with this type of material, especially if the surface has been altered or treated in any way. However, be careful to match the firing and drying shrinkage of the slip to the body.
Drying Shrinkage: 5.0-6.0% Dry Strength: n/a Water Content: 21.5-22.5% Drying Factor: C120 Dry Density: n/a
+35: 4.0-6.0% 35-48: 2.5-4.0 48-65: 2.5-4.0 65-100: 3.0-5.0 100-150: 3.0-6.0 150-200: 4.0-8.0 200-325: 6.0-10.0
Cone 8: 4.5-5.5% Cone 10: 5.0-6.0 Cone 10R: 5.0-6.0
Cone 8: 7.0-9.0% Cone 10: 5.0-7.0 Cone 10R: 5.0-7.0
BaO 1.5 CaO 0.3 K2O 1.5 MgO 1.1 Na2O 0.0 TiO2 0.6 Al2O3 21.0 P2O5 0.0 SiO2 69.9 Fe2O3 2.5 MnO 0.0 LOI 1.7%
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Plainsman Clays Ltd. 702 Wood Street, Medicine Hat, Alberta T1A 1E9 Phone: 403-527-8535 FAX: 403-527-7508 Email: plainsman@telus.net |
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